The famed Hall of Mirrors sequence of Welles' classic noir The Lady from Shanghai is transformed through a succession of four algorithmic progressions of split screen patterns. The result is hypnotic, kaleidoscopic and a bit uncanny.
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The famed Hall of Mirrors sequence of Welles' classic noir The Lady from Shanghai is transformed through a succession of four algorithmic progressions of split screen patterns. The result is hypnotic, kaleidoscopic and a bit uncanny.
