
In 1940, on the dry westside of KauaÊ»i, the Kekaha Sugar Company began a six-month mail-order film subscription with World Enterprises, an OÊ»ahu-based distributorâscreening films for workers on their Sundays off from harvesting and processing sugarcane. Varied in style, the films shared a common theme: American power taming lands and peoples of the âfrontierâ through extraction, an encroachment justified by declared ideals of progress. WORLD ENTERPRISES is a collage of radical possibilities sourced entirely from the original 1940 film program. Recontextualized by Banua-Simon, the short compilation enters a dreamlike conversation with both the material realities of the moment of its creation and the present day, culminating in an explicit âcut-up poemâ provocation that reflects on community amid political defeat while pointing toward a revolutionary movement just beneath the surface.
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