
A leading postwar Japanese film critic and theorist who co-founded the seminal film magazine Eiga Hihyo (Film Criticism) in 1957, Eizo Yamagiwa made his directorial debut with this independent featureālong thought lost until a negative was recently discoveredāabout a group of idle bourgeois students known as the āRoppongi Tribeā (Roppongi zoku). Depicting the resignation and nihilism of the postwar generation in the years following the Anpo Treaty conflicts through a coming-of-age narrative, Yamagiwa offers sharp criticism of the prevalent characterizations of Japan's new youth offered by Nikkatsu's taiyozoku (āSun Tribeā) films and the New Wave at large.
Language
Japanese
Country
Japan






