Two men making love. The question of the embrace (which encompasses the caress, the look, the kiss, the penetration, the speed of movement, the expression of ecstasyā¦) give to the film a scenario of examples of editing (disconnection, links, rhythm, interlaced films, alternate editingā¦). A sometimes figurative logic (make love, to be loving, to enjoy), choreographic (to caress, to interlace, to kiss, to lick, to penetrate), and cinematographic ( to link, to bring together, to move, to embraceā¦:to mount)