
Michel Auder
Directing
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Behind the camera
2019Fictional Art Film
Director
20151967
Director
2012Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Director
2011Narcolepsy
Director
2009Alice Neel Paints Margaret
Director
2008The Feature
Director & Writer
1993Polaroid Cocaine
Director
1993Voyage to the Center of the Phone Lines
Director
1991Roman Variations
Director
1988Magnetic Notes, 1986-1987
Director
1988Brooding Angels
Director
1981Coupla White Faggots Sitting Around Talking
Director
1981Talking Head
Director
1979Jesus
Director & Writer
1978My Love
Director
1977Made for Denise
Director
1976Chelsea Girls with Andy Warhol
Director
1971The Valerie Solanas Incident
Director
1970Cleopatra
Director
1969Keeping Busy
Director