BĂ©la Tarr
Directing
BĂ©la Tarr (July 21, 1955 â January 6, 2026) was a Hungarian filmmaker. Much of his work is marked by philosophical elements and a pessimistic view of humanity. His films utilize unconventional storytelling methods, such as long takes and/or non-professional actors to achieve realism. Debuting with Family Nest in 1979, Tarr underwent a period of what he refers to as "social cinema", aimed at telling mundane stories about ordinary people, often in the style of cinema vĂ©ritĂ©. Over the next decade, the cinematography of Tarr's films gradually changed; Damnation (1988) was shot with languid camera movement aimed at establishing ambience. It marked Tarr's earliest experimentation with philosophical themes, focused mostly on bleak and desolate representations of reality. SĂĄtĂĄntangĂł (1994) and Werckmeister Harmonies (2000) continued this approach; both are considered by some critics to be among the greatest films ever made. Tarr would later compete in the 2007 Cannes Film Festival with his film The Man From London. Frequent collaborators of Tarr include his wife Ăgnes Hranitzky, novelist LĂĄszlĂł Krasznahorkai, film composer MihĂĄly VĂg, cinematographer Fred Kelemen, and actress Erika BĂłk. After the release of his film The Turin Horse (2011), Tarr announced his definitive retirement from film direction. He has been teaching at the Sarajevo Film School since. Tarr died on 6 January 2026 following a long and serious illness. Description above from the Wikipedia article BĂ©la Tarr, licensed under CC-BY-SA, full list of contributors on Wikipedia.
